Spider-Man 3 is the end of a major chapter in everyone’s lives – even for the characters who are being portrayed on screen. They have told a big story that has a conclusion at the end and I think they all need a break. They’ve been working on Spidey almost non stop and that has to take a toll on you mentally and physically. And while it’s anyone’s guess as to whether or not the actor’s return, I do think they’re being completely honest about not knowing what the future holds.

So if you’re looking for an answer, you’ll have to look elsewhere. But if you want to read or listen to an interview with Peter Parker’s alter-ego Tobey Mcguire, you’ve come to the right place.

As always I'll warn you that SPOILERS are discussed during the Spider-Man interviews. I’ve done my best to make it so you have to highlight the parts that would ruin the movie but if you listen to the audio you’ll hear everything. If you want to be completely surprised you might want to wait until after you’ve seen the movie to read these interviews. The good thing is this interview with Tobey is the least spoiler filled of all of them.

If you want to listen to this interview click here. As always it’s an MP3 and easily played on a portable player or put on a CD for listening in your car or wherever.

And if you missed the interviews with Sam Raimi, James Franco, Kirsten Dunst or Topher Grace just click on their name for a link to the article.

Spider-Man 3 opens on May 4^th.

Did you ever think that you were going to be an action figure when you were growing up? What does it mean to you?

Uh, I didn't think so, and not much.

When you were getting ready to do this movie Sam was particularly collaborative in getting you guys involved pretty early on as to how the characters were going to be arced in this movie?

Yeah.

How much involvement did you have in that?

Well, the basic storyline was laid out and for me it had to do with, you know, I'd like to see him go further in this direction, I'm not interested in that stuff as much. Kind of getting into the specifics of it and adjusting the tone. But the basic story was there.

The dark side of you in this movie, and the funniest moment in this movie, are the swaggering down the street and seeing all the girls and getting a reaction. How much of that was improved, and how much of that was your involvement?

Uh, you gave me like a multiple choice, it was like the same choice. Was it A or A? I'm like, it was A. Uh--

I think he meant how much of it was scripted and how much of it was you?

Yeah, no, I get it, I get it. You know, it's hard, I do all these interviews and pretty soon I just answer how people ask. I'm not trying to think for myself anymore. But it was, I had a choreographer, or I had a couple of people I worked with for the walk. Basically the general idea of it was choreographed and then, you know, we riffed from there, and Sam would say throw this out, do this, and then I would throw in some thoughts and ideas and you know, just kind of messed around with it.

I apologize for asking this question, because I know everybody asks it, about the 4th film.

Yes.

We talked with Sam about it and he said he wouldn't do it unless you were onboard. We asked Sam what it would take to get him onboard, and now I'm going to ask you what it would take for you?

What did Sam say it would take to get him onboard?

He said he would have to see a deficit in the character of Peter Parker that still needed to be addressed.

That's a good answer. Mine won't be as interesting or as well thought, but, for me there would have to be a great screenplay, a great story, something really worth telling. Some new territory for us to go on with Peter Parker. Sam would have to be involved, the right cast would have to be in place, and then I would consider it.

At one point you said that the third one would probably be your last one. Are you now, so the door is just a little bit more ajar than before?

Yeah, I mean, I just, there's no absolutes for me, so you never know what happens, I guess.

When we talked to the producers, they said that in the last ten days everything is a little bit wider open in that people have changed their minds a little bit. Are they just being producers or is that true?

Well, I mean, they, the studio will make more Spiderman movies one way or another and you know, you never know until you're there, so it's hard to say what people's mind frames are. Today it might be one thing--there's a lot that has to happen, and like I said, they'll figure out how to make them one way or another. You know, Warner Brothers with Superman and Batman, it's like, they can recast, they can bring in new people and they can reconceive  things and come at it from, have a different take. Who knows? Whether we continue this story with this cast of people or not, we'll see, and how open people are, I don't really know. You don't know until there's something in front of you.

Throughout this process, what has been the biggest surprise to you in terms of your own life and work?

Um, the biggest surprise.

If there are any.

I mean, I guess there are things that I didn't expect. I'm not, I'm kind of like an easy going person and take everything in stride, you know, so things that are like, I've definitely had some moments where I think things are super cool and I've had a lot of fun with it, but to me it all is what it is, and I just kind of accept things and keep moving forward. I don't really take a lot of time to reflect on this stuff, although I am really grateful and appreciative of--

Could you identify then with Peter's view of celebrity? Because there's an interesting duality there.

I mean, Peter reacts very differently than I do. He is much more reflective about it and kind of soaking it in in a different way. He loves it, he bathes in it, he's swimming in it, he's like oh, they love me. He just loves it, and it gets to his head and he's becoming kind of arrogant and believes his own hype. He's got a real self-importance and I love it, the scenes we're doing with Kirsten where I'm like, where Peter Parker's trying to give her advice, it's just hilarious to me. And you know, it's funny, because nobody really laughs at those scenes, but I'm just sitting there cracking up. I just find them so funny. But, so, our experiences are different. I understand what you're saying, but we just react differently.

What are the challenges of being in these major action set pieces and how do you have to get ready?

Yeah, no--

They keep on getting bigger and bigger.

Yeah, they do.

Just as an actor, you're on these for many months.

Yeah. It's a lot of work. I mean, it's cool, the results are great and you know, that's kind of like it's the means to the end, and that's what helps sometimes with you know, staying motivated through that stuff, because you have so much down time and then you've got to go and get yourself to the height of an action sequence, and you  shoot something and it's maybe one to six seconds of film, and it takes months, well, you know, probably like a month for us to shoot a major action sequence. And then we would have to come back and shoot some more later, and there's different elements we're putting together to create it. And you know, it's, in terms of just uping the ante and raising the bar, that's more the people who are conceiving them. So Sam, who I think is a great visualist and does it with humor and is really great with the camera and has a great style with that stuff, that's largely in his hands. I try to contribute and be supportive and participate in helping them as much as possible. And I think the other thing that's interesting about our action sequences is that we try to give them character, where they have meaning, you know. It's not like you're taking a break from the story to go watch an action sequence.

Can you always talk about any deleted scenes that didn't make the final cut that you did?

I don't even remember right now. I mean, there's obviously deleted scenes.

Nothing that stands out.

Nothing that I can think of right now.

What challenges are there for you as an actor outside of this franchise? What are you looking for that you find challenging?

Uh, I want to do everything. You know, I love movies, and I want to work in every genre and I just want to work with great filmmakers that I respect and admire. As an actor, I just want to do everything. I do want to challenge myself and stretch myself and, I don't really have any set ideas about what I want to do.

What are you doing now?

Right now I'm promoting Spiderman 3.

Are you signed on for anything else?

No.

Have you shot anything since that perhaps hasn't come out?

I wasn't being a smart ass, I'm really just promoting Spiderman 3 right now.

So is Tokyo--

Sucker Punch?

What's the story with that?

It's something I'm developing in my production company.

That's a really interesting title, can you--

It's a great title. Um, it's something I’m developing. Um, with Doug Wick and Lucy Fisher's company, and Ed Solomon's writing the screenplay right now. It's based on this book by Issac Sin, called Tokyo Sucker Punch, and it's the character, Billy Chaka, who lives in Cleveland and he does this kind of manga thing, that he, that has, he uses his own character, or a heightened version of himself, Billy Chaka, in this thing, and it's really a fantasy of who he is. And really he's this small town kid in Cleveland who thinks he's like, you know, he does have like a cult following and I think he thinks he's more worldly than he is, and he has to go to Japan for--they've made a movie out of the Billy Chaka character, so he goes to Japan to like, you know, go be part of the thing, and, you know, reluctantly. He doesn't really want to go. And he ends up getting involved in a Billy Chaka type of adventure in Tokyo. It's really cool and I'm excited about it, so, we'll see. We're developing it right now.

You would star in it?

I'm developing it for, with that idea, yeah.

When you were in Tokyo promoting the film, did you do any sightseeing for the film?

Any Billy Chaka location scouting? Any Tokyo Sucker Punch research? You know, I didn't have time.

If they were to ever make a superhero team up film befor Spiderman 4, would you consider being a bit player, say Spiderman in an Avengers type movie?

Uh, yeah, um, I don't know. It depends, I guess. It depends on what the movie was or who the filmmaker was, I mean, that would probably be pretty complicated in terms of just getting different studios to figure out with, as they have the rights to those certain characters, it would probably be pretty hard to figure out. But let's just say in the fantasy world that it was all figured out, it depends. If there was a filmmaker I loved and my part, you know, I could go in and it would be more of a fun little thing where I worked for a couple of days, I wouldn't--I probably wouldn't go and work for several months and be in an ensemble type of thing, no. I mean, you never no, but I really doubt it. Would I walk through a scene and have a little conversation as Peter Parker with a little red suit showing that was just a fun little moment with a director that I loved in a movie that I thought would be great? Yeah, maybe I would consider that.

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