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  November 21, 2009 
 
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Review: TERMINATOR SALVATION
Matt can't find the humanity in this war against the machines
You'll Get Your First Look at James Cameron's AVATAR in Front of TRANSFORMERS: REVENGE OF THE FALLEN
But I have my doubts...
Clips from Accidentally on Purpose, NCIS LA, The Good Wife, and Three Rivers
Take an early look at CBS’ fall shows
CBS Announces 2009-2010 Primetime Schedule
The network add four series and moves The Mentalist to Thursdays
The first reviews of Quentin Tarantino's INGLOURIOUS BASTERDS
Apparently it's 'too talky'; have these critics seen a Tarantino movie before?
Three Clips from INGLOURIOUS BASTERDS - UPDATED with a 4th Clip
Jew Rats, Interrogating Nazis, and Chatting with a Wounded Diane Kruger
Sam Worthington Interview TERMINATOR SALVATION
He talks about everything – from making Terminator to James Cameron’s Avatar
Christian Bale Interview TERMINATOR SALVATION
He talks about making Terminator, Public Enemies, and how he’s training for his next film
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He talks about making Girlfriend Experience and a little bit on Moneyball
Dan Aykroyd Says GHOSTBUSTERS 3 Could Start Filming This Winter
Starting up a 'new generation' of ghostbusters
New Trailer: 9
An awesome-looking animated film that isn't from Pixar
First Look At ABC's FLASH FORWARD and V
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TWILIGHT NEW MOON Teaser Movie Poster
Bella, Edward and Jacob…
 
ENTERTAINMENT INTERVIEWS
Gary Oldman Interview – THE DARK KNIGHT
7/14/2008
Posted by
Frosty
     
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Q: You character will also trust his fellow police officers even less than before I am guessing?
 

GO: Yes, he really is a really honest and incorruptable, virtuous character in a system that is very, very corrupt.

Q: But I like that he's also very sneaky...

GO: He has to be.

Q: He has to be and he does have this fatal flaw, Two-Face would not have happened if these cops on Gordon's squad that trusts and he lets go and hadn't set up Maggie and Harvey. I just love this movie! It's so horribly murky! Everything! ....There's a debate amongst comic fans whether or not Gordon knows who Batman is after working together, from you point of view does Gordon care who Batman is?

GO: No, I don't think he does. Where is that in a comic?

Q: Well, every now and then there's a storyline where maybe Gordon has figured it out because after working with him for so long how could he not begin to wonder.

GO: I think Gordon thinks that Batman is George Clooney. (laughter)

Q: You are in Goyer's next movie right?

GO: I am.

Q: Can you tell us a little bit about that?

GO: It was great working with him, I can't really...it's a horror movie and I play a Rabbi. There you go.

Q: You've been rumored to be in A Christmas Carol with Zemekis.

GO: I am.

Q: Could you talk a little about working in that CGI environment?

GO: People have said it's like theater, but often they are the people that have never done theater (laughter) so...they go (in Oldman's best American accent), "It's like working in theater isn't it Gary?" And you go, "No, it's nothing like theater." Basically it's like being in a movie but without the breaks and costumes. But it's the weirdest thing because you perform the scenes much like you would a play with like 200 cameras in the room but you don't wear a costume and you've got weird dots on your face and Zemekis will make the movie in the computer later.

Q: I know Jim plays a lot of parts, are there a lot of actors together, do you do it together or do you act by yourself?

GO: You're with them, I play Marley and I play Tiny Tim and I play Bob Krachet.
 

Q: You said earlier that Heath was able to tune into something, some actors are very "method," after they said cut was Heath still the Joker for a while?

GO: No, you get a little, if you are that intense when you're playing a role like that, there's an energy on set and people get into it, I mean Jim Carrey is pacing up and down getting into an emotional scene and you can't fuck with him because he's off in the corner trying to sort of get into it or you take a moment and say, or Francis Ford Coppola says to you, "I want you to weep in this scene." Yeah, you're going to go off into a corner and think about terrible things, I don't know, you know what I mean? And you are focused on something but you know, what you get with Heath is he's so committed to the role and you look at De Niro's work and if anything you watch a movie like "Raging Bull" and whether you think it's good work or bad work, you've got to admire the commitment to it, the commitment to the work to gain sixty pounds to play Jake La Motta, that has to be applauded. And Heath is completely committed to this character and so free when he works it was just like a freedom. Often it shot differently, because Chris would say let's put it on steady cam or let's put it on a handheld and see what he does, just wind him up and let's see what he does and there's a real sense of danger there. I think that really comes across. But, we would cut and I would sit on the sidewalk with him and he would have a cigarette and laugh and joke and talk about Matilda. People want to believe the Joker contaminated him and you'd have to have a neurological disorder to, you know what I mean? I've played a lot of weird, wacky characters in my time and I've always managed to get to sleep. You know what I mean? But people want a darker story there I think, then there really is. Christian is still alive, you know? I mean, so it's just an accident sadly. But I think he's looking down from heaven saying, "They're going to nominate me for an Oscar? You're kidding me!! Bad timing!" But I think he will get nominated and the work will get recognized and this genre doesn't normally get recognized because people don't take it seriously enough, I mean, people don't understand that it's hard to costume a movie like Michael Clayton as it is to costume Dracula or Jane Eyre. It's just as hard. You have to get the right suit, the right shirt, should it be cotton? That tie doesn't work with that, is the cardigan right? Should she wear a short skirt? Should it be a 3/4 skirt? I mean, even though you are going out and buying the clothes there is the same skill that goes into it. But, of course the Academy never acknowledges, they would never give a best costume Oscar to Michael Clayton. And, so they've never taken the acting in these movies seriously, I think the last time they did was Tony Hopkins, they gave him an Oscar for a horror movie. So I think that they will acknowledge this and take it seriously on the strength of the performance not because it's a posthumous Oscar and it's a sympathy vote because he's dead. So, I'd like to see it, he's wonderful in it isn't he? He's wonderful.

 


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