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  November 21, 2009 
 
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Review: TERMINATOR SALVATION
Matt can't find the humanity in this war against the machines
You'll Get Your First Look at James Cameron's AVATAR in Front of TRANSFORMERS: REVENGE OF THE FALLEN
But I have my doubts...
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CBS Announces 2009-2010 Primetime Schedule
The network add four series and moves The Mentalist to Thursdays
The first reviews of Quentin Tarantino's INGLOURIOUS BASTERDS
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He talks about everything – from making Terminator to James Cameron’s Avatar
Christian Bale Interview TERMINATOR SALVATION
He talks about making Terminator, Public Enemies, and how he’s training for his next film
Steven Soderbergh Interview – THE GIRLFRIEND EXPERIENCE
He talks about making Girlfriend Experience and a little bit on Moneyball
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Starting up a 'new generation' of ghostbusters
New Trailer: 9
An awesome-looking animated film that isn't from Pixar
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V is back
TWILIGHT NEW MOON Teaser Movie Poster
Bella, Edward and Jacob…
 
ENTERTAINMENT NEWS
New Posters for A CHRISTMAS CAROL, PUBLIC ENEMIES, and Possibly THE EXPENDABLES
5/13/2009
Posted by
MattGoldberg
     
 
Written by Matt Goldberg
 

There was a bit of a deluge in the world of movie posters today.  First, we got the official one-sheet [via Yahoo!] for Robert Zemeckis' unnecessary motion-capture adaptation of Charles Dickens' "A Christmas Carol" starring Jim Carrey as a man who mugs for the camera and makes silly voices.  The plot description may officially list his name as "Ebenezer Scrooge" but I'm sure if Dickens' saw the character, he wouldn't recognize any resemblance to what he wrote (of course, this would be after the shock to the system of absorbing 130 years of history, technology, etc.).

 

 

Then there are some character banners for "Public Enemies" [via IMPAwards] just in case you forgot what Johnny Depp, Christian Bale, and Marion Cotillard look like in 1930s attire. They look nice.  Maybe it will be a fashion comeback.

 

 

 

 

Finally we have "posters" for "The Expendables" and I put the word "posters" in quotes because we don't have confirmation that this is official artwork for the film but rather could be a clever Photoshop user.  While the artwork, whether it's official or not,  isn't bad, I'm more disturbed by the concept that we can no longer trust our own eyes and have to question whether or not advertising at a film festival (these posters are supposed to be around Cannes) are real or not.
 



 
     
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